After reading James Fenimore Cooper’s novel, Last of the Mohicans, the excerpt by William Apess’ was a breath of fresh air. James Fenimore Cooper may have not have been a racist, but he certainly didn’t help to end discrimination against the Red Men, the Native Americans. Apess’ point of view as the inflicted, rather the oppressor, helped display the insights of the minority, and their interpretation of the discrimination.
Cooper describes the Indians in his novel as bloodthirsty cannibals. William Apess, a Christian Pequot Indian, responded to such fallacies with his piece, An Indian’s Looking-Glass for the White Man, which was published in 1833.
Apess used several methods to get to the white people’s soul. One was guilt, which he laid on pretty heavy, and another being bible rhetoric. The white man claimed to follow the bible explicitly, laying claims to be righteous in doing so, yet Apess revealed the bible shuns racism, and discrimination of any kind.
“Let your love be without dissimulation. See that ye love one another with a pure heart fervently.” (1 Peter 1.22)
“If any man say, I love God, and hateth his brother, he is a liar.” (1 John 4.20)
“He who loveth God loveth his brother also.” (1 John 4.21)
Here William Apess is using the white-man’s gospel against them. The bible says if you do not love one another, then you are not following God. Apess is hoping this will create “self-doubt” within the white man, due to their unjust and cruel acts.
Apess uses color to describe the actions of the white man. More specifically, Apess uses the color “black” as a metaphor in many occasions.
“…are leaders a most unrighteous, unbecoming, and impure black principle…”
Here, Apess uses the color black to describe the evilness and wrongdoing of the nation’s principles, which were strongly held by the leaders.
“…but merely placing before you the black inconsistency that you place before me – which is ten times blacker than any skin you will find in the universe.”
Once again, Apess uses the word “black,” first to describe the evil-doings of the white-man, and then contrasts it with the “black” skin color, which the white-man found so heinous.
My personal favorite use of color by Apess is in the ‘national crimes’ paragraph. Apess asks the reader to imagine if all races had their national crimes written upon it, with black ink of course, whose would be darker? Hand’s down, it would be the white-man. Apess feels that the reader will realize the white-man’s travesty of a civil society.
Apess doesn’t stop there though. He brings to light the skin color of Jesus of Nazareth, which is most certainly not white. He then asks… “Now, if the Lord Jesus Christ, who is counted by all to be a Jew – and it is well known that the Jews are a colored people … and if he should appear among us, would he not be shut out of doors by many, very quickly?”
I think this question will get to the reader. Apess suggests: Will you slam your door on Jesus because of his skin color? And for those who were white devout Christians, which was the intended audience, Apess gets to them right here.
In conclusion, Apess may have not attended this piece to be a response to Cooper’s novel, but he uses writing as a forum to fight back against the white-man, who Apess allows us to remember to be the conquerors who stole the continent from it’s rightful owners.
Works Cited:
William Apess; An Indian’s Looking-Glass for the White Man; Our Own Ground: The Complete Writings of William Apess, 1992.
Dr. Gibson Diaz; ETS 116, U.S. Literary History; Lecture, 2/4/00.